I always had themed recitals for my students, including skits and ensemble numbers.  I seldom had to hear parents complaining about boring recitals. 
One year we had one called "Mystery!"  All of the songs and piano pieces had titles like "Spooky Footsteps," "Descent into the Crypt," "Through the Night Mist," and "Dixieland Detectives."  All the students came dressed as a famous detective from TV or fiction.  We had Sherlock Holmes, Dr Kay Scarpetta, Magnum PI, Columbo, and Miss Scarlet from the Clue game, among many others.
              Nathan was home from college that week and he and I worked up a special duet.  First, I put him in his college chorus tuxedo and introduced him as the detective whose theme he and I would be performing—Peter Gunn.  Even if you have never seen the show (I never saw one until I was grown and saw it on the oldies channel), I bet you have heard the music.  Talk about modern and catchy—this one has it all.  Blue notes, syncopation, quarter note triplets against a steady eighth note beat.  You can't help but move something when you hear it.  We have played it in a couple of places since then, and it is always an audience pleaser.
              Audience pleasers.  That's a good phrase when you are talking about a concert performance.  That's what a concert is for—pleasing the audience.  That is NOT what worship is about.  Worship is about pleasing God.  I happened to think about that when a song leader I know, a trained musician, by the way, who does an outstanding job of leading, told me that he was criticized for leading "boring songs."
              First of all, who exactly is being bored?  If it's the audience, then maybe they should remember what they are doing—worshipping God not pleasing themselves.  That ought to take care of the "boring" problem right there.
              Second, why is it "boring?"  If it's because they don't have enough Bible knowledge to recognize Biblical references, nor enough depth to their thinking to understand the allusions and feel the goosebumps at some of the most beautiful poetry ever written, then they should be ashamed of themselves.  The Bible may be easy to understand, but it is not a comic book.  Nor is it a See-Jane-Run first grade primer.  The older I get, the more I love the songs that speak the Word of God in lyrics that truly make me think and keep me thinking long after the last chord has rung in the rafters. 
             Neither the song leader, the prayer leader, nor the preacher should have to try so hard to keep our attention if our worship is sincere.  If the only things that keep me interested in either the singing or the sermons and classes is laughter-inducing stories, toe-tapping rhythm, and shoulder-lifting blue notes, I may as well roll in a piano and have Nathan come with me and play a rousing rendition of "Peter Gunn."  I promise you'll like it and won't be bored.  Whether or not you get anything spiritual from it, whether or not you hear any teaching and admonishing, whether or not God is pleased with your idea of worshipping Him, is another matter altogether.
 
But solid food is for the mature, for those who have their powers of discernment trained by constant practice to distinguish good from evil.  (Heb 5:14).
 
Dene Ward

Nearer, my God, to Thee, nearer to Thee!
E’en though it be a cross that raiseth me,
Still all my song shall be, nearer, my God, to Thee.
Refrain:
Nearer, my God, to Thee, nearer to Thee!

Though like the wanderer, the sun gone down,
Darkness be over me, my rest a stone;
Yet in my dreams I’d be nearer, my God, to Thee.
(Refrain)

There let the way appear, steps unto Heav’n;
All that Thou sendest me, in mercy giv’n;
Angels to beckon me nearer, my God, to Thee.
(Refrain)

Then, with my waking thoughts bright with Thy praise,
Out of my stony griefs Bethel I’ll raise;
So by my woes to be nearer, my God, to Thee.
(Refrain)

Or, if on joyful wing cleaving the sky,
Sun, moon, and stars forgot, upward I’ll fly,
Still all my song shall be, nearer, my God, to Thee.
(Refrain)

There in my Father’s home, safe and at rest,
There in my Savior’s love, perfectly blest;
Age after age to be nearer, my God, to Thee.
(Refrain)
 
              If you know your Bible, you will recognize that this song was written about Jacob's trip to Haran as he fled his angry brother Esau (Gen 28:10-22).  "My rest a stone," and "in my dreams…steps unto Heaven," are anything but vague.  We too often think of the Jacob who stole his brother's birthright and connived the blessing of the genealogy of the Messiah from his father, while steadfastly ignoring that the Hebrew writer calls Esau a profane man who for one bowl of soup sold what he later claimed to be so important.  He may have been hungry from a long day hunting, but he was not about to starve any more than we are when we say, "I'm so hungry I could eat a horse."  And as far as the blessing, Isaac may have been blind, but God was not.  He knew who was receiving this most important blessing and He was perfectly happy with the choice, and that was someone other than a man whose god was his belly.  Even Isaac later recognized that.  And why?
              Read the verses above in your Bible and this is what you will see.  Jacob may have been less than we with our judgmental attitudes want our Bible heroes to be, i.e., perfect, but he learned from this dream to be mindful of God in his life, no matter where he was, not just in the Promised Land.  (How do we do outside the church building on a weekday?)  He was confident enough of this relationship that he took the initiative in making a vow.  Not even Abraham did that.  And God was confident enough in him to pass the Abrahamic covenant on through him (Gen 28:13-15).
              Jacob not only learned that God was always with him, he longed to be even closer.  How about us?  Can we truly sing this hymn and mean it?  Can we understand the "good" that comes from trials, or do we declare God to be "good" only when we get what we want?  Look at verse 4, one we never sing because I have never even seen it in any of our hymnals. 
              "Out of my stony griefs Bethel I'll raise."  Bethel, the "house of God"—Jacob was fleeing for his life, yet he realized that in that flight, he had become closer to God and raised an altar to him.  In other words, he recognized God's presence even in that time of trial.  And us?  "So by my woes to be nearer my God to thee."  Are we?  Do the struggles and trials—the "woes"--of this life bring us nearer to God, or do they chase us away, putting a dagger through our faith with statements like, "Why me?"  Do we think God owes us a life of ease and plenty because we have been faithful?  The Health and Wealth Gospel has struck again!
              Count it all joy, my brothers, when you meet trials of various kinds, for you know that the testing of your faith produces steadfastness. And let steadfastness have its full effect, that you may be perfect and complete, lacking in nothing. (Jas 1:2-4)  I may not jump up and down with glee when I suffer, but can I see beyond this all too present world to the strength I will gain through successfully enduring trials?  The enduring is the key, along with its growth in wisdom.  If we do not endure and become stronger, even the trials are a waste.  You can sit around in a gym full of barbells and never gain anything from it until you pick them up and actually exercise your spiritual muscles.
              Then they left the presence of the council, rejoicing that they were counted worthy to suffer dishonor for the name. And every day, in the temple and from house to house, they did not cease teaching and preaching that the Christ is Jesus. (Acts 5:41-42)  These people were not the sometimes neurotic sounding masochists that certain ancient Christians were, who thought physical pain was cleansing.  They knew that pain itself was not the goal, but that being worthy enough to even suffer for Christ was far superior to being honored by the world.   And they were willing to bring on even more suffering by continuing in their faithful obedience.
              And so their woes brought them "nearer to God."  How are you faring with your woes?  Are your trials working steadfastness (commitment) or do you give up at the first difficult thing that comes your way?  Are we even as good as this fellow Jacob whom we all want to malign as being less than godly?  Are we recognizing God in our lives and trying our best to grow closer to him day after day?
              Would you be willing to ask your song leader to add verse 4 to the song and sing it this coming Sunday?
 
Through him we have also obtained access by faith into this grace in which we stand, and we rejoice in hope of the glory of God. Not only that, but we rejoice in our sufferings, knowing that suffering produces endurance, and endurance produces character, and character produces hope, and hope does not put us to shame, because God's love has been poured into our hearts through the Holy Spirit who has been given to us. (Rom 5:2-5)
 
Dene Ward

All the stories my mother told me have come rushing back to me that past few weeks since her death.  One of the most special was the story of her conversion.  We could all learn a few things from this.
              Nearly a century ago, preachers often traveled from city to city and town to town, setting up tents and preaching every night for a week or more, depending on how things were going.  One of those preachers was Byron Conley, who toured Central Florida.  He was responsible for the beginning of many of the churches in that area.  One of those congregations was in a small town called Winter Garden, about 10 miles west of Orlando—at least in those days.  Now you can't tell where one ends and the other begins.
              All of my grandparents lived in Winter Garden, the typical Southern town with a train track running down the middle of the main drag, and diagonal parking in front of storefronts like Piggly Wiggly, McCormick 5 and 10, a barber shop, and a drug store complete with soda fountain.  My father's mother, Thelma Ayers, attended one of those tent meetings and was converted to the Lord, and eventually became a member of the new congregation there.  Although her husband, my grandfather, was never baptized, she taught her three sons and all of them followed in her faith.
              My daddy was the oldest.  At 17, he took his high school sweetheart to church with him.  She had been raised a Methodist, mainly because it was the closest church to the house and they could all walk.  She told me that all she heard were slow dirges on Sunday morning, so that morning when she went to church with her boyfriend Gerald, she was in for a shock.  "They sang happy music!" she exclaimed.  The first song she heard was "Heavenly Sunlight," and the day she told me that story she added, "And I want that sung at my funeral."  And we did.
              So let's consider a few things this morning.  This was a small Southern town.  As is our custom and belief, they sang a capella.  It may have been "happy" compared to the slower organ pieces she was used to, but I imagine there were a few places, especially by the end, where the music dragged a bit.  I imagine there were a few flat Southern altos and a tenor or two that stuck out like a sore thumb.  This was not a performing choir, certainly not a pro or semi-pro praise band.  So why did the singing impress her so?
           Because it wasn't just a happy song.  It was sung by happy people, people who knew they were saved and pleasing to God, people who believed they were going to Heaven, people who, despite the trials of life, knew it was all worth it.  I have heard it said that our singing can be an evangelistic tool.  It certainly was for my mother.  But if the people do not match their songs, it is just another form of hypocrisy. 
           "Heavenly Sunlight" isn't as deep as some of the other older hymns but it certainly doesn't sit in the wading pool with the babes either.  It takes a mature spiritual mindset to see the "Sunlight" even in the "deep vale" and to have the faith to know that no matter what happens He will "never forsake thee."  She could see that faith in the faces of those people and eventually it became her own faith, a faith she passed on to children, grandchildren, and great-grandchildren.
            Many of these thoughts ran through my head that afternoon as we sang for her the song that made all the difference in her life.  A small town southern church sang it like they meant it, and she wanted to know more about how they could do that when so few other places did.
           Would your singing begin the journey of conversion for a visitor?  It does not have to be ear-catching, toe-tapping, and rhythmically complex.  You just have to sing it like you mean it, and then live it that way too.
 
But let all who take refuge in you rejoice; let them ever sing for joy, and spread your protection over them, that those who love your name may exult in you.  (Ps 5:11).
 
Dene Ward

The last time we went to visit our grandsons, they had acquired a miniature Foosball game.  About two feet long, each player had only two rods to handle instead of the usual four apiece.  And that was plenty for rookie player Grandma.  Both boys beat me soundly, but by the end of the weekend I was at least holding my own.  Once I lost 9-7 instead of the customary shutout.  Being older and thus, more coordinated and better able to use strategy, 9 year old Silas always beat 6 year old Judah.  So I imagine it did Judah's little ego a world of good to beat up on Grandma!

              Later that first day, I also helped with piano practice.  (Nice to have a former piano teacher as a grandmother.)  Silas is far more advanced than any student his age I ever had, and it is a joy to listen to him.  The way his little mind picks up instruction is another pleasure.  After just a couple of thirty minute sessions, his playing was cleaner and his interpretation more mature.

              Judah has just begun.  His problem is confidence in his left hand.  He showed me his method book and went through about 8 pages lickety-split, but always using only his right hand, even when the top of the page clearly showed the left hand fingers needed to play the bass clef notes.  He even had to think backwards to get the correct notes played because, if you haven't noticed, your hand is a mirror image of the right.  Your thumb is your first finger on each hand and the finger numbers go from there.  So playing a note with the fourth finger of the left hand requires playing that note with the second finger of your right hand in order to play the correct note.  Thinking backwards was easy for him, but he steadfastly refused to use his left hand.  He may not have said it this way, but he clearly understood that his right hand was dominant and his left the off hand.

              Whenever I suggested he try it with the left hand, he compressed his lips and shook his little head.  Finally, this teacher of nearly forty years' experience figured out what to say.

              "Do you remember how hard it was to play with your right hand the first time you started?  But now that you have practiced it, your hand is stronger and you can do it much more easily, right?"  I finally got an oh-so-slight nod.  "So if you start using your left hand, it will get stronger, right?"  No nod this time, but he was still listening.  "And when your left hand gets strong too, you will be able to play Foosball better and maybe beat your big brother." 

              Now you could see the wheels spinning.  "How about giving it a try?" I asked.

              "I will sometime."

              "How about if I leave for a minute?"

              I didn't really get a nod, but I left the room and before five seconds had elapsed I heard the piano.  He might have played a little more hesitantly than with the right hand, but that left hand played every single piece whether it was written for right or left hand.  Do you know why that worked?  I gave him some motivation that meant something to him.

              Do you think God doesn't give us the same thing?  You can find what my college Behavior Modification class called positive and negative reinforcement on practically every page of the Bible.  From "in the day that you eat of it you shall surely die" (Gen 2:17) to "and he shall wipe away every tear from their eyes…" (Rev 21:4). 

           God finds the motivation that means the most to the people he is dealing with.  Sometimes we seem to think that we should be doing things "just because" and that will make us better than anyone else.  Please find for me any place that says that.  Even when it seems that way, there is an unspoken prod somewhere in the context—gratitude, fear, love, something that will help us accomplish the task.  Even Jesus was given motivation:  "…who for the joy set before him endured the cross…" (Heb 12:2).

        Sometimes we misinterpret the motivation.  All those descriptions of Heaven as a place of magnificent wealth?  God is not appealing to our greed.  Remember who he spoke to.  Those people understood what it meant to pray for their "daily" bread.  They didn't have well-stocked pantries, grocery stores on the corner, bank accounts, life insurance, stock portfolios, or any other of the things we have.  He was appealing to their desire for security.  A place so wealthy that gold and jewels were used as building materials and pavement meant they would never have to worry about keeping their families fed and cared for.  Walls so high meant they did not have to worry about Barbarians coming over the mountains to raid their villages.

         As with all motivations, we hope to mature so that someday we can motivate ourselves with something a little less mundane.  As our spirituality grows, so should the incentives we use to succeed.  Someday I hope Judah will use his left hand at the piano so he can be a better pianist, and not just so he can beat his brother at Foosball.  But for now?  Whatever works.

           Find what works for you.  Don't be ashamed when you need a little help along the way.  If you need a metaphorical Mt Gerizim, find it.  If you need a Mt Ebal, give yourself a little tough love.  Motivation is not a dirty word.
 
Bring the full tithe into the storehouse, that there may be food in my house. And thereby put me to the test, says the LORD of hosts, if I will not open the windows of heaven for you and pour down for you a blessing until there is no more need. (Mal 3:10).
 
Dene Ward

“Wonderful Love of Jesus” is an early 20th century hymn I remember singing often as a child.  But I must admit, I never knew what in the world was “lying around” when we sang “in vain in high and holy lays.”  Even as a musician who knows that a “lay” is a song, it took me decades to actually associate that with this hymn and understand what it meant.

             A “high and holy lay” is a sacred song, what we would call a hymn.  Even with that tidbit of knowledge it takes a little thinking to make sense of that first verse.
             
              In vain in high and holy lays
              My soul her grateful voice would raise,
              For who can sing the worthy praise of the
              Wonderful love of Jesus?
 
It is impossible for human voices, even singing the holiest songs they can compose, to praise the love of Christ as much as it deserves.  All our efforts are “in vain.”  That’s what it means.
 
           How can it have taken so long for me to figure it out when the scriptures are full of the same thought?

              Praise Jehovah. Oh give thanks unto Jehovah; for he is good; For his lovingkindness [endures] for ever. Who can utter the mighty acts of Jehovah, Or show forth all his praise? Psalm 106:1,2.

              You have multiplied, O LORD my God, your wondrous deeds and your thoughts toward us; none can compare with you! I will proclaim and tell of them, yet they are more than can be told. Psalm 40:5.

              My mouth will tell of your righteous acts, of your deeds of salvation all the day, for their number is past my knowledge. Psalm 71:15

              Oh, the depth of the riches and wisdom and knowledge of God! How unsearchable are his judgments and how inscrutable his ways! “For who has known the mind of the Lord, or who has been his counselor?” “Or who has given a gift to him that he might be repaid?” Rom 11:33-35.

              As you can see, it isn’t just the love of God we cannot speak adequately of, but also His wisdom, His righteousness, and His mighty works.  If ever there was a hymn of humility it is this one.  We cannot even begin to fully comprehend any of the Godhead and thus we cannot praise as they deserve.  We do so “in vain,” yet our gratitude continues to compel us to try, and so we do with songs like this one.  It may be “high and holy” but it is not equal to the task. 

              Yet now that I know what I am singing, I can hardly wait to sing it again.
 
[That you] may have strength to comprehend with all the saints what is the breadth and length and height and depth, and to know the love of Christ that surpasses knowledge, that you may be filled with all the fullness of God. Eph 3:18, 19.
 
Dene Ward

For people who are quick to quote John 4:24, that our worship must be “in spirit and in truth” and then simplify that to doing right things with the right attitude, which only begins to touch that statement, we certainly do a lot of “worshipping that which we know not” (4:22). 
 
             So tell me, when you sing “A Mighty Fortress” and you reach the second verse, what exactly do you think you are calling the Lord when you sing, “Lord Sabaoth his name?”  No, it is not “Lord of the Sabbath,” which is what I thought for many years

              Sabaoth is the Greek transliteration of the Hebrew word Tzebhaoth.  I don’t even pretend to be a Greek or Hebrew scholar, but I can read English fairly well.  The word means armies or hosts.  In fact, it can even refer to a specific campaign the army might be involved in at any given time.  It is above all a military word.  So any time you see “Lord of hosts” in your Bible you are seeing the word Sabaoth or Tzebhaoth, depending upon whether you are reading the Old Testament or the New.

              I cannot find the actual Hebrew word un-translated in any English version of the Old Testament—it is always converted to “LORD of hosts” or “Jehovah of hosts.”  But you can find Sabaoth un-translated in the older versions of the New Testament in Romans 9:29 and James 5:4. 

              And Isaiah cries concerning Israel, If the number of the children of Israel be as the sand of the sea, it is the remnant that shall be saved: for the Lord will execute [his] word upon the earth, finishing it and cutting it short. And, as Isaiah hath said before, Except the Lord of Sabaoth had left us a seed, We had become as Sodom, and had been made like unto Gomorrah, Rom 9:27-29.

              This passage is twice as powerful when you understand the meaning of the word.  The Lord, who commands all the powers and armies of the universe, could easily have wiped Israel off the earth.  But in His mercy, He spared a remnant, Isaiah says.  Paul’s point is that God has in the past come close to obliterating the Jewish race, and He will have no trouble doing it again if necessary.  That’s the kind of power He has.

              Behold, the hire of the laborers who mowed your fields, which is of you kept back by fraud, cries out: and the cries of them that reaped have entered into the ears of the Lord of Sabaoth, James 5:4.

              This passage makes you just as shivery.  Anyone who cheats the laborers of their hire should remember that the Lord of Sabaoth hears their cry and is there to defend them.  Do you really want the Lord of hosts with all His armies of angels and spiritual beings fighting you?

              Now look back at the song.  “For still our ancient foe doth seek to work us woe; his craft and power are great, and, armed with cruel hate, on earth is not his equal.”  That may well be said about Satan, but we have Lord Sabaoth on our side—the Lord of hosts, the commander of all the spiritual forces of good “and He must win the battle.” 
 
             We miss so much when we don’t care enough to research the songs we are singing.  In fact, I have heard people complain about “all this archaic language.”  If it’s in the Bible, people, we ought to care, and if we believe all those pet scriptures we always quote, we will want to “sing with the spirit and the understanding,” 1 Cor 14:24.  The context of that passage may be spiritual gifts, but the meaning in every context is that what we sing must be understandable and edifying, and that requires some effort on our parts, not simply deleting certain hymns from our repertoire because we don't understand them and won't work to find out what they mean.  All those "ignorant" people, as we call them, hundreds of years ago knew what they meant. 

              Let’s see if we can practice what we preach.
 
​The LORD of hosts is with us; the God of Jacob is our fortress. — Selah, Psa 46:7.
 
Dene Ward

When my studio was still open I enrolled in several professional organizations.  The one dearest to my heart was the small group here in the county.  We met seven times a year, had our business meeting, followed by a lively program one of us, or sometimes all of us, participated in, then a country potluck lunch that had us all trying to keep our eyes open as we taught that afternoon.
 
             Keeping the membership up was a constant battle.  We talked to our friends, invited neighbors, even advertised in the weekly paper.  The results barely kept up with the attrition of old age, relocation, and moms going back to work.  Oh, everyone got a kick out of the programs.  No one turned down a free lunch.  But when they found out they would have to work on fundraisers and projects, suddenly everyone was too busy. 

              Some of them paid dues, but never showed up, thinking that was at least a monetary help.  Eventually we decided that if that was all they would do, we would not approach them the next year to renew their membership.  Our state and national affiliation dues were charged per capita, and our miniscule local dues barely covered them.  What we were about wasn’t fun and games and good food.  Our stated aim was to help keep music programs in the poor rural schools and provide scholarships for worthy students to help with the costs of private lessons.  If a member did not have the same interests, he really didn’t belong anyway.

              Isn’t it that way with the Lord’s body?  Too many are on the rolls in name only.  Oh, they may come, but not for the reason the scriptures give.  Assembling with the saints is not about entertainment; it’s about provoking one another to love and good works, Heb 10: 24, 25.  It isn’t about showing off our talents and receiving praise; it’s about edification and giving God praise, 1 Cor 14:26.  It isn’t about whether I approve of what went on or who is there, it’s about communing with the Lord, Matt 26:29.  It certainly isn’t about judging others, their clothing, their words, their actions; it’s about realizing that the Judge of all is watching my worship and deciding whether or not it is acceptable.

              If all I do is sit there waiting to be catered to, or even uplifted for that matter, I have not fulfilled the real duty of meeting with my brethren no matter how many times I sit on that pew, or how long.  Walking in those doors places an obligation on me to act, not react.  Claiming membership means I need to get busy, not be served.  Putting my name on a roll means I do more than put my check in the plate. 

              Eventually my little organization no longer invited members in name only to re-up.  What would happen if the elders did that in the church?  But here is a more sobering thought—the Lord is already doing it.  Is your name still on His list?
 
And I saw the dead, great and small, standing before the throne, and books were opened. Then another book was opened, which is the book of life. And the dead were judged by what was written in the books, according to what they had done… And if anyone's name was not found written in the book of life, he was thrown into the lake of fire. Revelation 20:12,15.
 
Dene Ward

One afternoon many years ago we stopped at an Olive Garden restaurant for a late lunch.  It was about 2:30, and it would be our only meal of the day. The place was nearly empty, so we were seated at a nice table and an eager young waitress, her order pad and pen held at the ready, came to serve us.

              “We’ll start with bruschetta,” I said. 

              “Huh?  Oh!  You mean brush-etta.”

              No, I thought.  I meant what I said, “Brrroo-skeht-ta.”

              Now, you must understand that I had been teaching Italian aria and art song for a couple dozen years at that time.  My students regularly stood before judges who marked them down on mispronounced Italian, so I had studied everything I could, constantly referencing an Italian pronunciation guide, and checking with other teachers who had sung opera.  I knew exactly how to pronounce “bruschetta.”

              I had learned some lessons the hard way.  I remember one especially embarrassing and painful occasion at state contest.  I don’t recall the exact word, but somewhere in it was the letter sequence “g-i-a.”  I had the student pronounce that as two syllables:  “jee-ah.” 

              “That’s not quite right,” the judge said, as nicely as she could.  The i turns the g into a j.  After that, it has done its work, and is not pronounced.  The syllable is simply “jah,” not “jee-ah.”

              Since we’re into Italian food at this point, let me illustrate it this way:  parmagiana reggiano cheese is pronounced “par-ma-jah-nah reh-jah-no,” NOT “par-ma-jee-ah-nah reh-jee-ah-no,” and that chef named “Giada” is “Jah-da,”  NOT “Jee-ah-dah.”  Pay attention sometime when she says her name herself. 

              Now here is my point:  who should I listen to about how to pronounce Italian—a college student moonlighting at a chain restaurant or the voice judge, a woman who has sung on the operatic stage many years longer than that waitress has been alive, singing Italian for hours at a time, and who can even translate it?

              How do you choose whom to listen to?  Who gets your vote for the one to take advice from?  Is it someone your own age who has as little experience as you do?  Is it perhaps someone older, but whose only qualification in your mind is that s/he is “fun” and “cool,” and a whole lot more so than the other old fuddy-duddies?  Is it someone who gives you the answers you want, who makes everything easy, even things that are not and should not be easy? Is it someone who makes you laugh?  Is it someone who speaks in “bumper sticker?”  Or is it someone who has experienced the ups and downs of life and come through it sane and faithful, someone who may not be able to keep an audience’s attention but can tell you from a heart of concern exactly what you need to hear—whether or not it’s what you want to hear?  Most important of all—is it someone who knows the Word of God inside out and has stuck with it even when it made his own life difficult, who tells you what God says, not what he thinks or feels?

              Mispronouncing Italian is no big deal in most of our lives, but mispronouncing the Word of God can cost you your soul.
 
Listen to advice and accept instruction that you may be wise in your latter end, Prov 19:20.
 
Dene Ward

I have read those headings in the book of Psalms for years—“To the Choirmaster”--but it has only been recently that it dawned on me that in the Old Testament specially trained Levites led, and usually sang, in the Temple worship.  If Romans 15:4 means what it says about learning from the Old Testament, we have the perfect authority for song leaders in our worship services today.  Song leaders—choirmasters.  The entire church, of course, is the choir now, but even non-musicians need a leader.

              My own father was a song leader in the church for nearly as long as he was a Christian.  All that stopped him was his health—he could no longer get enough breath or stand up long enough or wave his arm high enough to continue those last few years.  He had a clear tenor voice in his youth, not the easiest part to sing.  He knew and had led songs from a dozen hymnals.  Not only did he lead in the church, but he sang at funerals and weddings as well.  He always sang.  I do not remember a time when he was outside working on a sick car or a chugging lawn mower or a broken shelf that he was not singing—hymns, mind you, nothing else.

              We moved a few times in my youth, but even when we stayed in one place for a few years, it was not unheard of for a preacher from another congregation to show up on our doorstep asking him to consider changing his membership because they needed a song leader.  And he usually did.  Leading the song service was his bailiwick and he fulfilled it better than any man I have known before or since.  Why?  Because he viewed it as God meant it to be viewed—service to Him.  When he died my mother buried him with a Bible in one arm and a songbook in the other.

              As a music education major in college, I took classes in choral directing.  Guess what I learned?  Hardly anything new—I had learned it already from my daddy.  What I got was a new appreciation for a man who had set about to be the best he could be for his God.  Let me share a few tips with you.  Some of the details come from my choral directing professor, but the concepts I saw every Sunday of my childhood.

              1) If you call yourself a song leader, then be one--lead!  That means a host of things as you will see below.

              2) Your job as a song leader is not to show off how well you can sing by singing the most difficult songs in the book.  It is not your chance to sing your favorite hymns. Your job in the church is to enable the group to worship God in song, according to their ability.

              3) That means you need to know your group.  If you have an untrained group, few among them who know anything about music, don’t lead songs that a professional choir should be singing.  Don’t specialize in songs that require a roadmap and a compass to figure out what to sing when.  Don’t major in modes and polyrhythm.  If you do use some of these songs, then be realistic.  Untrained ears will never manage the blue notes in “Sing and Be Happy.”  Don’t be arrogant about it, as if all these ignorant people are beneath you.  A lot of them can probably do things you can’t do.
              If you have a predominantly older group, lay off the syncopated music.  They simply don’t get it.  Anyone listening on the side will think they are hiccupping as one manages it here and there, but 90% sing it straight.
              Another thing about older groups—they do not have the breath capacity of younger people.  Don’t sing songs so fast they have no time to catch a breath.  They may all pass out on you, but more than that, they simply won’t be able to worship God, which is what you are supposed to be helping them do, not hindering them.  Good leaders do not insist on what they want to do.  They do what is best for the group they are leading, whether it is what they want to do or not.

              4) Remember—this is not about you.  If you are a bass, resist the temptation to sing only low songs or to pitch them lower.  If you are a tenor, try not to pitch them too high.  Either way, you will completely fail in your mission—enabling the whole group to sing, not just you.  In fact, it is entirely possible to injure voices by having them sing a poorly pitched song.  If you cannot sing a song where it is written, then you probably ought not to be a song leader.

              5) And if you claim to be a leader you must of necessity do three things:  stand where you can be seen, beat a clear pattern, and sing loud enough to be heard.
              If you use a pattern, people need to see it in order to stay with it.  For those who do not understand the beat, or if you do not beat a pattern, they must be able to see your mouth.  That also means you shouldn’t be asking people to stand very often, particularly if you have a lot of elderly folks.  Yes, they have the option of staying seated, but guess what they see when everyone else is standing?  A row of backs—you will be hidden behind them.  How can they possibly follow you?
              As to the pattern, don’t get too elaborate.  The point where the beat actually occurs (the ictus) must be obvious, and at the bottom of the pattern, not at the top.  If you draw so many curlicues in the air that no one knows where the 1, 2 and 3 are, don’t get upset if they lag behind—it’s your fault.  
              And they do need to hear you.  If you can’t sing loud enough, stand in front of a microphone.  Don’t get “humble” and think it makes you a better servant of God not to be heard.  Leaders of necessity need to be heard—any kind of leader.  If all you do is start the song, you may as well sit in the pew.  (And if you are in the congregation, then monitor your own voice and do not try to out-sing the leader.  There is more than one way to usurp authority!) 

              6) This is worship to God, remember?  That means you should give some thought to your selections.  Would you ever walk into a Bible class, sit on the front row, scribble down a few passages and expect to teach a good lesson?  Your song service should do one of two things—either complement the sermon of the day, or teach its own lesson.  Some preachers like the songs to match their sermons; some don’t.  If he does, call him and find out what the lesson is about.  If the latter, then choose a topic yourself, or maybe a line of thought, and choose songs that teach about that topic or lead the singers in a logical progression of thought that will edify them.  Both of those take preparation.

              I could probably go on.  Just reminiscing about things I heard my daddy say over and over has already made this a bit long, though.  Here is the key--this is about your service to God.  If you remember that, you cannot help but be the best song leader you can be.
             
I will tell of your name to my brothers; in the midst of the congregation I will sing your praise, Heb 2:12.
 
Dene Ward

One of the most challenging aspects of studio teaching is switching horses midstream.  Every forty-five minutes I not only had to rev up the excitement when greeting a new student, I had to change my perspective.

              I had one voice student who could scarcely carry a tune.   We spent a good deal of the lesson practicing matching pitches.  The next student was singing Italian art song and learning to trill.  One I applauded for simply getting through the song in key, the other I reprimanded for breathing in the middle of a word.  A five year old piano student would walk in with her eight bar tune, followed by a senior in high school working on a concerto.  One I praised for playing the right rhythm while only missing two notes.  The other I castigated for poor phrase shaping and improper execution of an appoggiatura.  It would have been unfair to expect a five year old to understand an appoggiatura when he didn’t even know key signatures yet.  It would have been cruel to try to teach a voice student with a challenged ear to trill.

              So I should not have been surprised at what I found in this study of faith that has consumed the past year of my life, but I was.  I wonder if it will surprise you too.  Every time Jesus said, “O ye of little faith,” he was talking to his disciples.  Sometimes other people heard it too, but if you check every account, he was addressing those who followed him daily—“ye of little faith.”  Yet the only times I could find people praised for their “great faith” they were Gentiles!

              That tells me a lot.  First, faith isn’t just a one-time first principle.  If even those who had enough faith to “leave all and follow” could be told their faith was “little,” then faith is something alive and growing.  Jesus expected it to carry them through their lives and become an asset to them, not a burden that might be “lost.” 

              Perhaps the most important thing we learn is something Jesus said in another context:  To whom much is given, of him much shall be required, Luke 12:48.  Those men had been with Jesus 24/7 for a year or more and he expected them to have matured.  I know a lot of people who like to claim they have “strong faith.”  Be careful when you do that.  God may just test your claim: “and from whom they entrusted much, they will demand the more.” 

              So examine your faith.  Is it growing?  Can you handle more adversity today than you did a decade ago?  God expects quick growth.  The people in the first century committed their lives to Him, knowing they might be thrown to the lions the next week.  I worry that too many of us commit our lives to Him expecting all of our problems to disappear in a week.  It’s supposed to be an instant fix to all earthly woes, instead of what He promised--an instant fix to our sins. 

              What exactly are you expecting of your relationship with God?  Some of us try to hold God hostage with our expectations.  “I have faith that God will…” and then we sit back confidently waiting for him to do our will, instead of waiting on His will. 

              Which would the Lord say to you:  “O ye of little faith,” or “I have not found so great faith, no not in Israel?”
 
But as for you, O man of God, flee these things. Pursue righteousness, godliness, faith, love, steadfastness, gentleness. Fight the good fight of the faith. Take hold of the eternal life to which you were called and about which you made the good confession in the presence of many witnesses. 1 Timothy 6:11-12.                                                 
 
Dene Ward